#1998 honda civic tapedeck replacment pro#

Yes, i've seen the Adox Film about Film prices back from 2019 long ago on YT, but this is nowdays a 50 to 100% price increase, means you play 150 to 200% of the original price, and this is very bad news.Īnd speaken of Film, my fave filmstocks (Acros II 100, Tri-X 400, Ektar 100) are already far off too expensive, between 9 to 12 EUR per 35mm Roll, which i don't want - and can't afford for these prices any further, sad but true. Some retailers are offering this now for like 36.95 EUR, whileas a few insane ask for 49.95 EUR, a 200% price increase of the original 5-Pack price, which is crazy - into just a few years! Much more than 'just' 20%. Now, during this year 2021 alone, it raised from typical 27.95 to 29.95, and i bought my last 5 Pack for 32 EUR within this week.

#1998 honda civic tapedeck replacment pro#

I shoot Film since the 80s, and i must say, some Filmstocks are way overpriced nowadays.įor example, Kodak Pro Image 100 - it was like 24.90 EUR for 5 rolls of this Film into 2018. It did make a massive difference in the results These days, to keep all those factors going will definitely keep the costs up.Įven for colour negs, I used a select few labs that were amazingly immaculate in their chemical monitoring, machine maintenance and cleanliness. In the days when I used transparencies for work, buying the film fresh, keeping the film cool, processing as quickly after exposure and using the best labs got you superb, repeatable results. oh and just to note.these days the only film I do use is purely BW so there are more other options available.įor colour film users, well, the pool is definitely shrinking, but I would have thought that there are many more BW film users than there are colour film users and hence, it starts becoming more like simple economics of being able to sell more units of one thus keeping prices down.Īnd colour stocks cost more to produce and due to it's nature are more sensitive to storage conditions and time to get premium results. Not a Film Price or Kodak Problem (35mmc)Ībout Film Fridays: We've launched an analog forum and in a continuing effort to promote the fun of the medium, we'll be sharing film-related content on Fridays, including articles from our friends at 35mmc and KosmoFoto.

You can read his entire writeup, which comes in at just over 3,000 words, below: It’s a well-written piece that looks more into the economics and history of the film photography community than more the more topical rationale we’re used to hearing. Not a Film Price or Kodak Problem,’ Wright breaks down a number of ways film photography is being impacted beyond simple price increases to account for inflation, supply chain constraints and more.

In his essay, titled ‘The Film Community has a Math Problem. While their respective efforts appear to have been taken well by the film photography community, Matthew Wright, writing on 35mmc, has a slightly different take on the price increases of film. In response to this criticism, two respected entities in the film photography world, Silver Grain Classics and Nico from Nico’s Photography Show, attempted to contextualize these price increases in an effort to calm down the community. The latest example of this came last month when Kodak announced it was increasing the price of its various film stocks by between 9–15%.Īs is often the case with sudden price changes, Kodak immediately faced criticism from members of the film photography community, many of whom suggests Kodak isn’t supporting film photographers as much as they believe it should be. If you’re at all in tune with the film photography world, you know film stocks from various manufacturers are either being discontinued or rapidly getting more expensive.