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As such, the protagonist hops from situation to situation, easily resolving problems within the given episode time frames. Sons of Thunder follows a typical recurring drama model that hearkens back to The Lone Ranger where every episode has different characters save for the main ones. Nonetheless, this aspect of the season shows improvement with time, which is enough to warrant this score. Dramatic scenes are a bit overacted at times, and the villain cast members were presumably coached to be absurd. Though there are moments of unsure delivery and while some performances could be better, this section is at least above-average.

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Moreover, despite obvious plot problems, the acting of this series actually isn’t half-bad. Therefore, only half a point can be awarded here. Further, there are some interesting themes explored in a few of the episodes, such as desperate people doing illegal things for desperate reasons, but any good is easily wiped out by the cringe-worthy climax that leaves the viewers with a painfully obvious attempt to create a second season of this madness. However, surprisingly, not all is bad in this section since there is a consistent presence of partially effective flashbacks that build some semblance of a backstory for the main character.

Why would so many people trust him and benefit from him right in a row, and how would one person benefit from so many coincidences? Elsewhere, the villains and ‘bad’ characters are beyond cheesy strawmen, and basically all of the action sequences are unrealistic.

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Besides these obvious problems, the fact that the protagonist can just stumble from town to town without any clear direction or objective and always find some kind of sticky situation to patch up with his wisdom before quickly leaving without good explanation is pretty ridiculous. Some characters have extreme swings in their behaviors without legitimate explanations or catalysts, all just to make specific instances transpire. This makes it difficult to know who the characters actually are and why they do what they do other than the fact that they are pawns in the whims of the storyline, which forces everything to reach certain conclusions, no matter how unnatural the premises may be. Many of the plot’s circumstances come off as unrealistic and trumped up, and many of the situations characters find themselves in seem quite staged and contrived just to move the narrative forward.

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Thus, this section is easily the strongest point of the series.įrom the get-go, the first season of Sons of Thunder is full of constant narration, which is only combined with cheesy, juvenile dialogue that’s quite obvious and expository in most scenes. Despite some obvious continuity errors and less-than-perfect editing, this production improves as it goes. Sets, locations, and props are also above average. This is evident in the video quality, camera work, and audio quality, including a pretty good soundtrack. The question is, will he ever be safe from the grasp of the biker gang?įor the most part, in keeping with the new ways of a well-funded PureFlix machine, Sons of Thunder sports a respectable production. In each area, he’s able to magically help someone before he has to return to his pursuit of unknown goals. Along the way, Simon hops from town to town, trying to make enough money to pay his way. Afraid for his girlfriend’s life and uncertain of the future, Simon decides to go on a road trip since he thinks this will keep everyone safe. Simon, ever since becoming a Christian, doesn’t want to be in his motorcycle gang anymore, but the gang leader won’t let Simon out very easily.